
**Stay Sucka Free!
F. Negro.
* I deliberately use the word accessory, because in no way whatsoever should hip hop be completely responsible for such development, but to ignore its power and presence is simply naive.
you must be open to be inspired...and there is no discrimination. the portal has to be receptive for the muse to be discovered.

Anti-Requiem:For the past year and a half I have been exposed to a battery of traditions from the African Diaspora that to date had only been noteworthy pages in the many books that I decided to consume in an effort to expropriate some cultural material/capital. Traditions that have been on the periphery, at best, in the Black(African) experience in the U.S., but are connected in very intimate ways nonetheless.
I'm speaking specifically of the Afro-Cuban cultural palette. Without going into great detail, Cuba has been in conversation with the U.S. since the first slaves arrived in the western hemisphere. Most of which were negotiating this new space by preserving, modifying and syncretizing spiritual systems and social traditions in an attempt to respond to a moral and cultural imperative that urges those with any ethnic foundation(e.g. Yoruba, Carabali, Arara, Bantu-Congo) to maintain those traditions to the best of their ability. We see elements of this throughout the Diaspora whether it shows up in Jazz, Spiritual Baptists, Timba, Reggae, Gaga, Candomble, Cumbia or Zouk.
Lately, I've been deeply exploring the Cuban component of these retentions thanks to the many new acquaintances and companions I've made as a result of my current employment situation. And it has been rewarding in ways that words can't capture! It speaks to a place in my spirit that was severely neglected until now. Prior to my recent contact I knew about Cuba through my spiritual practices and my interest in Latin dance, but never had any direct contact with Black Cubans or those who were custodians and purveyors of Afro-Cuban culture. Amongst other things, I've had the opportunity to learn how to play Bata, which for spiritual reasons has been and will continue to be crucial to my development, but I want to dedicate this blog entry to an expression that has slowly captured my attention: Rumba. Rumba emerged in the 19th century as a secular dance and music among Black Cubans from various ethnic groups, including: the Lucumi (Yoruba), Abakua (Carabali), Arara (Dahomey) and other Bantu related groups. Both sacred and secular traditions of these groups influence Rumba, especially the Abakua and Bantu forms such as Yuka and Makuta. There are three main types of Rumba: Yambu, Guaguanco and Columbia.
But why the hell am I writing about this?! Well, because I feel Rumba has created a space for me to re-imagine life. It challenges pedestrian notions of existence, in that, Rumba with its transnational presence transforms once sterile space(physical, mental, spiritual, political) into a dense, dialectic composite of identity in constant maintenance and (re)construction. Rumba urges me to think about how I relate to myself, which subsequently informs how I relate to the world. This I gather even though I don't fully understand it conceptually, musically or choreographically. Regardless of that I found this message, my discovery, critical and important enough to share. So, if you get a minute explore Rumba. It may touch you as well. But for now, enjoy the clip above. Roman Diaz, Pedrito Martinez and Alfredo Diaz rumbeando for a good friend of mine on her birthday. I thank her for being a crucial conduit in my discovery of Rumba. Gracias Berta!
**Stay sucka free!
F.Negro
*This is a Rumba at Berta Jottar's house celebrating her birthday on Ojo-Obatala. (Williamstown, MA-September 24, 2007)
to the 50 cent-Kanye West soundscan battle I'm gone burn a muthafucka up. I'm serious! I mean other than those two and their respective music companies, who gives a damn who sells the most records? I'm inclined to believe that that information will not significantly impact anybody's life. And someone may retort that the Jena 6(5) and San Francisco 8 cases don't mean shit to them, but I would ask those skeptics to think about how easily that could be them or someone they love. Being falsely criminalized is something that happens daily to Black folks, especially those with something meaningful to say and action to back it up(please click San Francisco 8 link above). But how flagrant it is for these young brothas to even be imprisoned, facing up to 100 years for a fuckin' fight is beyond words. How the fuck do you turn a high school fight into attempted murder?! Asinine. But it is refreshing to see community members, activists, academicians, artists, and students respond to these issues. Because it seems we forget real quick what happens when the world doesn't give a damn about you because of how you look, what you think, where you live, etc(It feels like Katrina happened 50 years ago). But the vanguard is still reminding us and speaking loud about these atrocities, like the Mighty Mos Def on Bill Maher: click here! And to add fuel to the fire, there is the Megan Williams case, where a young sista was tortured and raped in West Virginia. Please click here to learn about this horrific story. It seems that while we have so much to be happy and grateful for, there is much to be upset, pissed off and indignant about. Look folks, while we stay seated the world is happening and instead of sufferin' and shmilin' we need to get up and bust a grape!! Sign a petition, tell a friend, send an email, donate, whatever--just do something! Remember: silence is consent. 
I love that song, my mama played the hell out of that record and "When The Going Gets Tough". What's interesting though is that originally the song was titled European Queen, but Clive Calder(Jive Records) thought it would "sound more exotic and appeal to a wider audience," if Billy was talking about a Caribbean Queen or an African Queen(which was recorded as well)... [silence]...no comment. Either way, I had an image in my mind about what Billy O. looked like. After seeing my mama's beat up Love Zone album cover like 126 times, I had that jheri curl and smile etched into my memory, securing Billy Ocean as the quintessential UK Black pop artist forever, in my mind. What was striking to me about the strand on the okayplayer message board was that someone commented that Billy Ocean was now a Rasta. I froze for a moment and thought about that, tried to imagine Billy as a Rasta....THIS is what is what flash figurizes in my mind when I think Rasta and not that there is anything essential about being a Rasta other than the belief in the principles peculiar to that spiritual system. But....Billy Ocean?!?! It just rocked me. However, it touched me that that brother found solace in this spiritual tradition after being consumed by the commercial music industry machine. It is a testament to our constant evolution as humanoids galavanting the planet in search of something more. Here's to new and life-altering/affirming experiences. Thanks Billy O. !

y inaccurate idea of who we are and refuse to hear anything contrary. In that whole dream as my uncle's brother was telling HIS story, my uncle was nodding in disagreement. Like, "how could you have fucked up this story so bad?!" I feel like that sometimes. A lot of times. It is hard to be something outside of the constructs that those around you create and that sometimes we create for ourselves. We want to fulfill the expectation, we want to stick to the script. Because otherwise we are hypocrites, negligent, "not being ourselves" and a list of other stuff. That is a hard life to live, but we do it everyday. We perform our identities, philosophies, worldviews, loves, passions, interests, etc. And when we don't the world is like, " what's wrong? are you ok?" or "who the hell are you?" or "i can't believe you, fuckin' shakara[see Fela]!" This is a stressful life and somehow we always manage to race to increase the number of stress springs in our life. I am on a detox program however. Yep, the poisons have started to ooze out. So, now I want to rewire my mind. You know, upgrade and diversify my life by developing an imagination circuit. I know that sounds a little post de facto, but I think that mechanism is imperative to my life RIGHT NOW. I just finished a book by Kurt Vonnegut(whom I never read) called "A Man Without A Country". It is this witty, satirical and critical compilation of musings from a somewhat disaffec
ted and cynical German-American author. He talks about how we no longer have to develop this imagination circuit because we're handed thoughts, art, and creative expression in a package. So when we see a face, we just see a face. When those with an imagination circuit would see a face, they would see a face with stories. I feel like somebody stole my imagination circuit, so instead of trying to locate the culprit, I'm gonna just build a new one. How ya like them apples? Because I think that circuit is important in helping me discover how I'm gonna love, live and more importantly be free. I can tell you all day what freedom isn't, but I struggle like a brand new mute trying to communicate what I envision freedom to be. I probably couldn't write a simple short story to save my life, because I have learned to rely so heavily on creative/artistic technology(i.e. movies, television), which makes you a lazy thinker. I want to dream newly and not feel like I have to follow a script. I want to embrace my newly discovered identity as an artist and share my gifts so that they may inspire. I want to help imagine>create>produce a world that my great grandchildren and they're contemporaries can live in where they don't have to struggle and fight, but if they do they'll know how to do it creatively and with dignity.... Damn. Gil is speaking so clearly, no oatmeal there.
